Contents 1 Works 2 Notes 3 References 4 External links


Works[edit] Zeitgedichte (1846) Neue Lehre von den Proportionen des menschlichen Körpers (1854) Ästhetische Forschungen (1855) Die Verhältnisse der Menschengestalt und der Blattstellung in ihrer Gleichheit und Verschiedenheit. (1855) Der menschliche Kopf im Profil (1856) Die Proportionen von reinen antiken Statuen (1856). Über die Metamorphosen in den Verhältnissen der menschlichen Gestalt von der Geburt bis zur Vollendung des Längenwachtums (1858) Kaiserin Eudoxia (1861) Hausse und Baisse (1864) Kunst und Gunst (1865) Joppe und Krinoline (1865) Die Verhältnisse des Kölner Doms (1869) Die regulären Polyeder (1869) Religion und Wissenschaft, Staat und Kirche (1873)


Notes[edit] ^ Padovan, Richard (1999). Proportion: Science, Philosophy, Architecture. London: Taylor & Francis. pp. 305–306. ISBN 0-419-22780-6.  ^ dass in ihm überhaupt das Grundprinzip aller nach Schönheit und Totalität drängenden Gestaltung im Reich der Natur, wie im Gebiet der Kunst enthalten ist und dass es von Uranfang an allen Formbildungen und formellen Verhältnissen, den kosmischen wie den individualisierenden, den organischen wie den anorganischen, den akustischen wie den optischen, als höchstes Ziel und Ideal vorschwebt, jedoch erst in der Menschengestalt seine vollkommene Realisation erfahren hat. Zeising, Adolf. Neue Lehre von den Proportionen des menschlischen Körpers, aus einem bisher unerkannt geblienenen, die ganze Natur durchdringenden morphologischen Grundgesetze entwickelt und mit einer vollständigen historischen Übersicht der bisherigen Systeme begleitet, Leipzig, 1854, preface p. V.; translated in Padovan, p.306 ^ Brown, Clifford W. (1963). "Adolph Zeising and the Formalist Tradition in Aesthetics". Archiv für Geschichte der Philosophie. 45: 23–32. Retrieved 2011-02-28.  ^ Tavernor, Robert (2007). Smoot's Ear: The Measure of Humanity. New Haven, Conn: Yale University Press. p. 166. ISBN 0-300-12492-9. . Hermann Lotze, Geschichte der Aesthetik in Deutschland, 1868, discusses Zeising on pp. 306-309 and reports Fechner's critique in Archiv für zeichnende Künste, 1865, p. 100, that the golden ratio measurements of the Holbein and Sixtini Madonnas do not agree, whereby Fechner concluded that Raphael avoided rather than sought the golden ratio in painting. Lotze himself is sceptical, but he finds Fechner's experiments using surveys of viewers promising.


References[edit] Nikolaus Wecklein: Zeising, Adolf. In: Allgemeine Deutsche Biographie (ADB). Band 55, Duncker & Humblot, Leipzig 1910, pp. 404–411 (German)


External links[edit] Works by or about Adolf Zeising at Internet Archive Authority control WorldCat Identities VIAF: 22906870 LCCN: no2002059016 ISNI: 0000 0000 8206 2571 GND: 116970413 SUDOC: 110136810 This article about a German psychologist is a stub. You can help Wikipedia by expanding it. v t e Retrieved from "https://en.wikipedia.org/w/index.php?title=Adolf_Zeising&oldid=762456721" Categories: German psychologists1810 births1876 deathsPsychologist stubsGerman academic biography stubsHidden categories: Use dmy dates from September 2014Articles with hCardsArticles containing German-language textArticles with Internet Archive linksWikipedia articles with VIAF identifiersWikipedia articles with LCCN identifiersWikipedia articles with ISNI identifiersWikipedia articles with GND identifiersAll stub articles


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